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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
Welcome to the wonderful world of Affektenlehre…
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
I grew up listening to him; he was a phenomenal virtuoso. I didn’t care much for his orchestral interpretations, but he was absolutely spot on in using large harpsichords with 16′ choirs to play the Bachs, as he knew that’s the sort of instruments they had and used. He took an enormous amount of flak from the “authentic performance” crowd because…[Read more]
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Joseph P. Farrell posted an update 7 years, 11 months ago
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Joseph P. Farrell posted an update 7 years, 11 months ago
A nice up tempo period instrument performance of the Gloria from JS Bach’s setting of the Lutheran mass, BWV 233. This little five minutes is chocked FULL of Affektiv devices, plus, in five minutes, you get three four-voiced fugues:
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
Yes
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
It is not here yet. If if ever DOES get you I will let everyone know.
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
It is true that such instruments are more expensive, and hence, more difficult to learn, because they are hand crafted. And it is also true that the tempering systems for tuning them are known to a few people. But still, I think part of it is the mass production effect… and the resulting lazy ears….
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We are still waiting for a little taster of the new Pipe Organ!
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Or is China buying them all up?
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It is not here yet. If if ever DOES get you I will let everyone know.
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Playing a period instrument like the violin with a different temperament or tuning than the contemporary one is a real challenge regardless of whether the instrument is hand-crafted or not, because the violin does not have frets.
P.S. In middle-eastern music (Turkey, Iran, Arab world) the violin is one of the few instruments that can be used…[Read more]-
A simple but charming example of Persian-tuned piano composition:
(In Iran, the santur or dulcimer has always been very popular, and it sound a bit like the harpsichord, which explains the Iranian interest in piano)
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
I agree… I’d rather hear things composed for lute ON the lute, and I do prefer the sound to the guitar.
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Dr Farrell, I am not sure, but I think the reason why original instruments were/are not used that much has more to do with finding talented/virtuoso players of such instruments (and those instruments can be extremely expensive). The tuning of the instruments of that era is also a very delicate thing that must be done right (and may not please all…[Read more]
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It is true that such instruments are more expensive, and hence, more difficult to learn, because they are hand crafted. And it is also true that the tempering systems for tuning them are known to a few people. But still, I think part of it is the mass production effect… and the resulting lazy ears….
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We are still waiting for a little taster of the new Pipe Organ!
-
Or is China buying them all up?
-
It is not here yet. If if ever DOES get you I will let everyone know.
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Playing a period instrument like the violin with a different temperament or tuning than the contemporary one is a real challenge regardless of whether the instrument is hand-crafted or not, because the violin does not have frets.
P.S. In middle-eastern music (Turkey, Iran, Arab world) the violin is one of the few instruments that can be used…[Read more]-
A simple but charming example of Persian-tuned piano composition:
(In Iran, the santur or dulcimer has always been very popular, and it sound a bit like the harpsichord, which explains the Iranian interest in piano)
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Joseph P. Farrell posted an update 7 years, 11 months ago
Don’t forget vidchat tomorrow at 7PM, I’ll be in early as usual for pre-chat banter and discussion
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Joseph P. Farrell posted an update 7 years, 11 months ago
…my my my… this is turning out to be QUITE the philosophical tome…
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
lol… don’t be deceived… tidbits can go any direction… the subject matter has not been disclosed…
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
This is what bothers me about such books: the persistent attempt to ignore what contemporaries thought: MOST of them, Robert Fludd and Leibniz included, thought this group was real, yet, academic scholarship does not attempt to delve into why these very intelligent people thought this. It’s similar, in some respects, to the trend in academic…[Read more]
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
Actually, they did not get along very well…
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
That sounds like an interesting book. Was it any good?
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Churton says that he believed Johann Valentin Andreae wrote the manefestos, but also says that there was a never a Rosicrucian society or breatheren. He says that Rosicrucianism was associated with Plato, Dee, Flood and all the usual suspects because of it’s message. There is a lot of religious “chat” in it and the book was a very big “Harveys…[Read more]
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This is what bothers me about such books: the persistent attempt to ignore what contemporaries thought: MOST of them, Robert Fludd and Leibniz included, thought this group was real, yet, academic scholarship does not attempt to delve into why these very intelligent people thought this. It’s similar, in some respects, to the trend in academic…[Read more]
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
ROF!!!! No WONDER my intuition has been telling me to avoid that place all these years!
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Joseph P. Farrell posted a new activity comment 7 years, 11 months ago
And to think, that, to Hass, this was a medium-sized harpsichord. Imagine what the Bachs’ music would sound like on the Hass Triple, or the big instruments at Zimmerman’s coffee house!
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Joseph P. Farrell posted an update 7 years, 11 months ago
A busy day today, and a lot of progress on chapter two, with now a provisional outline of chapters 1-6 done. I finally found the way to organize this monster. This will be very controversial, perhaps even off-putting to some people, but trying together threads carefully laid down all the way back in Giza Death Star Deployed.
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Thanks for the tidbit on the subject matter.
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lol… don’t be deceived… tidbits can go any direction… the subject matter has not been disclosed…
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Looking forward to hearing about how the Elites from the paleo ancient civilisation have continued to ruin the world with religion and occultism and hiding their blooming technology (base 12 idiots.. its base TWELVE!!) under the desert in Lebanon.. (@joseph I didnt know that it was Solomon who built the Topheth.. Do you think that modern day…[Read more]
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To use JPF wording, we all know it will be a “magisterial” work!
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Joseph P. Farrell posted an update 7 years, 11 months ago
Well… I’ve been working all night, and listening to my other favorite Bach, Carl Phillip. Mozart is alleged to have said “He(CPE Bach) is the father; we are the children. All that we do right, we owe to him. He who does not own to this, is a scoundrel.” Here’s why (from 1753): https://www.youtube.com/watch?v=ZPWeL-7HkJE
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Joseph P. Farrell posted an update 7 years, 11 months ago
…let the 16′ choirs on a REAL harpsichord thunder, as only Carl Phillip Emanuel Bach can make them do in 1740…. https://www.youtube.com/watch?v=DkaZ-g5tj8E
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What did you do, this video has apparently been deleted! Didn’t know CPE was so controversial
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Over two days I’ve listened several times . . . excellent sound, even on an ipad. Try again . . .
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And to think, that, to Hass, this was a medium-sized harpsichord. Imagine what the Bachs’ music would sound like on the Hass Triple, or the big instruments at Zimmerman’s coffee house!
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It’s not deleted
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Maybe web overload as everybody tuned in
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@danathomasHey dana – use hooktube to try and load the video, you might be getting DSN interference and ‘copyright’ regulations.. Hooktube plays the youtube content.
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I’ve never had this type of blocking before for classical music – maybe there is a Hungarian angle here…
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I found it on iTunes !!! 😁😁😁 nice drives to and from work now !!!
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I’ve bought this album now. A lot of it is playing away in in the back of my mind now … it’s fantastic 🙂
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Joseph P. Farrell posted an update 7 years, 11 months ago
A fun interview with Christopher Hogwood on Phillip Emanuel Bach and his influence: https://www.youtube.com/watch?v=TzbchKlC7Uw
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Richter makes my ears go into different spaces, and then pulls them back…at the same time !
I don’t know how to describe this; Richter’s mood is to change one person into another… ?
Welcome to the wonderful world of Affektenlehre…
I grew up listening to him; he was a phenomenal virtuoso. I didn’t care much for his orchestral interpretations, but he was absolutely spot on in using large harpsichords with 16′ choirs to play the Bachs, as he knew that’s the sort of instruments they had and used. He took an enormous amount of flak from the “authentic performance” crowd because…[Read more]
In the meantime your new instrument seems to be stuck in a time warp…